Fantasia will present a 35mm print of the 1989 Hong Kong classic The Blonde Fury with star Cynthia Rothrock in attendance, who rose to stardom in the Hong Kong action scene of the 80s.
The world premiere of Satoshi Miki’s film Louder!: Can’t Hear What You’re Singin’, Wimp will take place at Fantasia. This musical comedy marks the return of the director from a five year film making hiatus.
The Canadian premiere of Searching stars John Cho in a film that uses a unique storytelling approach of computer screens and social media.
Southeast Asia is represented by two action films, the Vietnamese superhero click Loi Bao by Victor Vu from Vietnam (North American premiere) and the Filipino cops & drugs actioner Buybust by Erik Matti
Two more anime films were announced, the world premiere of the horror film, Aragne: Sign of Vermillion by Saku Sakamoto and the international premiere of Penguin Highway by Hiroyasu Ishida
The rare entry from China called People’s Republic of Desire by Hao Wu will have it’s Quebec premiere.
Other East Asian films include The Vanished by Lee Chang-Hee (North American premiere), Being Natural by Tadashi Nagayama, Amiko by Yoko Yamanaka, and One Cut of the Dead by Shunichiro Ueda.
See the full press release for all the other films.
Trailers after the jump
Continue reading “Fantasia 2018 – 2nd wave”
Here are some of the East Asian films that Fantasia announced as part of their first wave of films that will screen at this year’s festival.
World premieres include Buffalo Boys, a western from Indonesia directed by Mike Wiluan, and Bleach, a live action manga adaptation directed by Shinsuke Sato and starring Sota Fukushi and Miyavi featuring supernatural battles.
Inuyashiki, another live action manga adaptation but in the Sci-fi genre directed by Shinsuke Sato will have it’s Canadian premiere and stars Noritake Kinashi and Takeru Satoh. Another manga adaptation from Sato called I am a Hero featuring zombies will also screen.
Animated features making their Canadian premieres include: Maquia: When The Promised Flower Blooms, which is the directorial debut of Mari Okada; Fireworks directed by Genki Kawamura, which is an adaption of a TV drama by Shunji Iwai; and the “gekimation” Violence Voyager by Ujicha.
From South Korea: Last Child, a first feature film from director Shin Dong-seok is a drama that will have its Canadian premiere and stars Choi Moo-seong, Kim Yeo-jin and Seong Yu-bin. The Outlaws is an action comedy directed by Kang Yun-sung and starring Don Lee and Yoon Kye-sang.
Horror entries include: Japan’s Rokuroku: The Promise of the Witch by Yudai Yamaguchi and Indonesia’s Satan’s Slaves by Joko Anwar.
Other Japanese films include: Tremble All You Want by Akiko Ohku, Wilderness: Part 1 & 2 directed by Yoshiyuki Kishi and starring Masaki Suda and Yang Ik-june, and Hanagatami by Nobuhiko Obayashi.
For the full list of films, check out the press release.
Some trailers after the jump.
Continue reading “Fantasia 2018 – First wave”
This was written some time in the past (like maybe a year ago) with updates over the course of my learning although I’ve been pretty lazy about it recently.
A comparison of the major East Asian languages of Chinese (Mandarin), Japanese & Korean
These are some initial thoughts from a native English speaker’s perspective. I am most experienced with learning Chinese (having taken courses and visited China). More recently I took some beginner Japanese classes and have read up on my own about Korean. I have learned a fair amount about the pronunciations but can only say really basic sentences in Japanese and nothing significant in Korean. I have read about the basic “correct” sentence structure and grammar that isn’t actually spoken (i.e. devoid of honorifics and conjugations). I have an idea of the different conjugations and how honorifics changes them.
Continue reading “Major East Asian Languages: Chinese, Japanese, Korean”
Tokiyuyu is Canadian (she went to high school & university in Quebec) according to her youtube profile but moved from the US to Japan. She mostly blogs about her life in Japan but here I’ve posted her videos about her recent visit to PyeongChang to watch the Olympics.
Continue reading “TokiYuYu vlogging PyeongChang Winter Olympics 2018”
Claire’s Camera (2017)
Director & Screenplay: Hong Sang-Soo
Cast: Isabelle Huppert, Kim Min-Hee
Review: The story for this movie is extremely simple. A French woman randomly meets a few Koreans (a man and two women) in Cannes during a film festival and finds out they know each other. Gradually their connections are revealed as she encounters each one multiple times and take polaroid photos of them believing that people change after she takes their photo.
Continue reading “Claire’s Camera @ Nouveau cinema 2017”
Le festival du nouveau cinema from October 4-15, 2017 will be screening films from all over the world at various theaters in Montreal. There are some recent movies from Japan such as Beat Takeshi’s Outrage Coda (the final installment of the Outrage trilogy) and Kiyoshi Kurosawa’s Before We Vanish. Films from the past such as Takashi Miike’s Sukiyaki Western Django and several gangster films from the 60s by Seijun Suzuki. There’s also an intriguing stop motion animation short film by Takeshi Yashiro called Norman the Snowman. From South Korea there are a couple of recent Hong Sang Soo films and from the past, a Korean western by Kim Jee Woon. There’s a movie from Chinese born but Montreal based director Xiaodan He called Un Printemps d’ailleurs. There is also a Vietnamese horror movie called KFC.
Continue reading “Festival du nouveau cinema Oct 4-15, 2017”
I didn’t even think cafes with raccoons and meerkats existed anywhere. One of them even has a capybara. These look like some fun places to visit in Seoul, South Korea. Then he eats some food later in the video, of course.
Fantasia 2017, total films seen: 22
This was an okay year overall. Last year wasn’t necessarily that much better but it had some super memorable screenings while this year there weren’t any films that wowed me or had the audience go super crazy. Granted, I missed some South Korean movies I really wanted to watch like A Taxi Driver and A Day. Only three films were labeled recommended this year. This isn’t the worst year as far as outright disliking films but the number of films that I enjoyed or liked a lot this year was lower than previous years. I am starting to wonder if my interest in East Asian cinema is waning.
Continue reading “Fantasia 2017 festival in review”