This year’s Festival du nouveau cinema screens many intriguing films from around the world from October 3-14, 2018 at Cineplex Quartier Latin, Cinema du Parc and Imperial cinema. There is as usual a great selection of East Asian films. I won’t list them all but I will mention some of the ones I look forward to seeing the most.
Films from China have often been lacking at festivals (perhaps in part due to censorship) but this edition features Jia ZhangKe’s latest film, Ash is the Purest White starring his wife and muse Zhao Tao and Liao Fan, an actor’s who’s been in many good films that I’ve enjoyed. Other actors in the film include Feng Xiaogang and Xu Zheng which make up an impressive cast. Long Day’s Journey into the Night directed by Bi Gan stars Huang Jue and the ever compelling and beautiful actress Tang Wei.
From Japan, the festval brings Hirokazu Koreeda’s latest work Shoplifters, which won the Palme d’Or at Cannes. It has an excellent cast including Lily Franky, Sakura Ando, Mayu Matsuoka, and Kirin Kiki (her last film before she passed away in 2018). I’m biased since I’ve enjoyed many films by this director but I think this is a must-watch. Killing directed Shinya Tsukamoto stars Sosuke Ikematsu and Yu Aoi, both very good actors. Mamoru Hosoda’s latest animated film Mirai looks delightful for kids and adults. I’ve enjoyed past anime films by this director. There are also restored versions of older Japanese films from 60s, 70s & 80s which should intrigue those with a longer history of Japanese film viewing than myself.
The South Korea film I’m eager to see is Burning by Lee Chang Dong, whose previous film I saw was very engaging and thought provoking. This one stars Yoo Ah-in, Steven Yeun, and Jeon Jong-seo.
From France, there’s the animated film Funan directed by Denis Do about the Khmer Rouge in Cambodia. It won the Crystal Prize for Best Feature Film at Annecy International Animated Festival.
There are also other films from South East Asian countries such as Thailand, Philippines, Indonesia and Singapore.
Trailers after the jump.
Continue reading “Festival du Nouveau Cinema – Oct 3-14, 2018”
RIDM (Rencontres internationales du documentaire de montréal) is Montreal’s documentary festival that runs from November 9-19, 2017 at various venues. There are documentaries from all over the world. There are some East Asian documentaries from China, Singapore and Thailand at this year’s edition. There are at least a couple of documentaries with Montreal connections.
Montreal-based film production company GreenGround has a feature at the festival with two screenings, one with English subtitles (Nov 16) and one with French subtitles (Nov 12). It is called Taming the Horse, directed by Gu Tao. The director visits an old childhood friend in China who has become embittered by his life.
Antoine, directed by Laura Bari is a documentary from 2008 about a blind child name Antoine who lives in Montreal.
Bangkok Nites (2016)
Director: Katsuya Tomita
Screenplay: Toranosuke Aizawa
Cast: Subenja Pongkorn
Review: Starting off with the main character, Luck (Subenja Pongkorn), a Thai prostitute looking outside a hotel room, we follow her and a Japanese man named Ozawa through the world of sex tourism in Thailand and the various Japanese men who come for the services. The film looks at how richer people from Japan exploit poorer ones in Thailand. It also explores if a real relationship can grow between a prostitute and a former client and the definition of “paradise.”
Continue reading “Bangkok Nites @ Nouveau Cinema 2017”
Fantasia 2017, total films seen: 22
This was an okay year overall. Last year wasn’t necessarily that much better but it had some super memorable screenings while this year there weren’t any films that wowed me or had the audience go super crazy. Granted, I missed some South Korean movies I really wanted to watch like A Taxi Driver and A Day. Only three films were labeled recommended this year. This isn’t the worst year as far as outright disliking films but the number of films that I enjoyed or liked a lot this year was lower than previous years. I am starting to wonder if my interest in East Asian cinema is waning.
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Mini reviews of Free and Easy, The House of the Disappeared, Shock Wave, The Tokyo Night Sky Is Always the Densest Shade of Blue, Napping Princess, Love and Other Cults, Rage, Extraordinary Mission, Night is Short Walk On Girl.
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Here are the East Asian films that were announced among the first wave of films that will be screened at this year’s Fantasia International Film Festival. This 21st edition will run from July 13 – August 2, 2017. The full lineup will be released July 5!
Opening night screenings
Jung Byung-gil’s THE VILLAINESS
Takashi Miike’s JOJO’S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE
Continue reading “Fantasia 2017: First wave announcement”
Le festival du nouveau cinema just released its schedule. In regards to East Asia, Japan is well represented with many features, a couple from China (one is listed under Hong Kong) and a couple from South Korea. In Southeat Asia, there are a few from the Philippines and Cambodia and Thailand each have one film.
Here are a few of my personal picks but be sure to check out the full lineup.
Continue reading “Festival du nouveau cinema – Oct 5-16, 2016”
Fantasia 2016, total films seen: 25
This year’s lineup of movies was very promising but the ones I looked forward to the most ended up being disappointing or just okay. But there were a couple of surprises that ended up being really great. Overall though, I’d say this was a good but not great year (like last year). I’d say the number of great films this year was less than most of the previous years. My main disappointment was the lack of films that resonated with me emotionally. However, in regards to just pure entertainment, I was satisfied by a few strong entries.
Continue reading “Fantasia 2016 festival in review”