RIDM (Rencontres internationales du documentaire de montréal) is Montreal’s documentary festival that runs from November 9-19, 2017 at various venues. There are documentaries from all over the world. There are some East Asian documentaries from China, Singapore and Thailand at this year’s edition. There are at least a couple of documentaries with Montreal connections.
Montreal-based film production company GreenGround has a feature at the festival with two screenings, one with English subtitles (Nov 16) and one with French subtitles (Nov 12). It is called Taming the Horse, directed by Gu Tao. The director visits an old childhood friend in China who has become embittered by his life.
Antoine, directed by Laura Bari is a documentary from 2008 about a blind child name Antoine who lives in Montreal.
Bangkok Nites (2016)
Director: Katsuya Tomita
Screenplay: Toranosuke Aizawa
Cast: Subenja Pongkorn
Review: Starting off with the main character, Luck (Subenja Pongkorn), a Thai prostitute looking outside a hotel room, we follow her and a Japanese man named Ozawa through the world of sex tourism in Thailand and the various Japanese men who come for the services. The film looks at how richer people from Japan exploit poorer ones in Thailand. It also explores if a real relationship can grow between a prostitute and a former client and the definition of “paradise.”
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Fantasia 2017, total films seen: 22
This was an okay year overall. Last year wasn’t necessarily that much better but it had some super memorable screenings while this year there weren’t any films that wowed me or had the audience go super crazy. Granted, I missed some South Korean movies I really wanted to watch like A Taxi Driver and A Day. Only three films were labeled recommended this year. This isn’t the worst year as far as outright disliking films but the number of films that I enjoyed or liked a lot this year was lower than previous years. I am starting to wonder if my interest in East Asian cinema is waning.
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Mini reviews of Free and Easy, The House of the Disappeared, Shock Wave, The Tokyo Night Sky Is Always the Densest Shade of Blue, Napping Princess, Love and Other Cults, Rage, Extraordinary Mission, Night is Short Walk On Girl.
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Here are the East Asian films that were announced among the first wave of films that will be screened at this year’s Fantasia International Film Festival. This 21st edition will run from July 13 – August 2, 2017. The full lineup will be released July 5!
Opening night screenings
Jung Byung-gil’s THE VILLAINESS
Takashi Miike’s JOJO’S BIZARRE ADVENTURE: DIAMOND IS UNBREAKABLE
Continue reading “Fantasia 2017: First wave announcement”
Le festival du nouveau cinema just released its schedule. In regards to East Asia, Japan is well represented with many features, a couple from China (one is listed under Hong Kong) and a couple from South Korea. In Southeat Asia, there are a few from the Philippines and Cambodia and Thailand each have one film.
Here are a few of my personal picks but be sure to check out the full lineup.
Continue reading “Festival du nouveau cinema – Oct 5-16, 2016”
Fantasia 2016, total films seen: 25
This year’s lineup of movies was very promising but the ones I looked forward to the most ended up being disappointing or just okay. But there were a couple of surprises that ended up being really great. Overall though, I’d say this was a good but not great year (like last year). I’d say the number of great films this year was less than most of the previous years. My main disappointment was the lack of films that resonated with me emotionally. However, in regards to just pure entertainment, I was satisfied by a few strong entries.
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Mini reviews of Heart Attack, The Wailing, The Throne, The Inerasable, Karaoke Crazies, The Phantom Detective, Assassination Classroom: Graduation, Lazy Hazy Crazy, A Violent Prosecutor, The Bodyguard, What a Wonderful Family!, and The Piper after the jump.
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