I missed the last volume in May due to personal reasons (and certainly regretted it) so I was looking forward to this one even more with its stellar lineup. It also reminded me of the first NMFT show (vol 8 in May 2016) that I ever saw since Mass of the Fermenting Dregs were returning. Another thing it shared in common was that there were no idol acts. Vol 9-12 all had idol acts.
After the unfortunate closing of long time venue Divan Orange, vol 12 was held at La Sala Rossa which I’ve never been to so I’m not sure what the vibe and surroundings were like there. Vol 13 changed venues again to Le Ministere. I like this venue. It’s small and intimate, easy to get too and is actually fairly close to Divan Orange’s old location. There’s wasn’t as much space for the merch tables and no fussball table but I think it’s a good replacement. Sound was good as far as I could tell.
Continue reading “Next Music From TOKYO vol 13 live show”
Burning / 버닝 (2018)
Director: Lee Chang-Dong
Screenplay: Lee Chang-Dong, Oh Jung-mi
Cast: Jun Jong-seo, Yoo Ah-in, Steven Yeun
Next Screening on Sunday, Oct 14
In the city of Paju, a young man, Jong-su, who recently completed his military service encounters a childhood classmate, Hae-mi. She seems to like him but later starts dating a mysterious, affluent stranger named Ben whom she met on a trip. Jong-su soon suspects something sinister about Ben.
This is a slow-burn story with a bit of a thriller aspect. It focuses on its two young characters who are lower class without much of an idea what they will do with their lives. Youth unemployment is high and it’s probably not a coincidence that the antagonist is a rich person, a “Gatsby” as Jong-su calls him. There’ also a subplot with Jong-su’s dad who’s arrested for allegedly assaulting a government official.
Continue reading “Burning – film review – Nouveau Cinema 2018”
Ash is Purest White / 江湖儿女 (2018)
Director & Screenplay: Jia Zhang-Ke
Cast: Zhao Tao, Liao Fan, Zheng Xu
Follows a couple involved in the underworld/jiang hu in the city of DaTong and eventually elsewhere over two decades. The tone of some trailers (like the one below) is quite misleading. This is a pensive, personal type of film without exciting action or high stakes conflict.
This isn’t a plot heavy movie. The pace is relaxed. It can feel a bit slow at times but it never lingers too long on a scene. Events happen without much explanation for them but they don’t feel contrived or forced. The focus is on the characters, specifically the main couple, a woman Qiao (Zhao Tao) and her boyfriend, Bin (Liao Fan) and more so on the former than the latter. They are involved in shady business but what sort of shady business they do is not revealed and simply implied. Their relationship changes over the course of the film and their emotions are often restrained. There’s a bit of a mysterious quality that is compelling rather than frustrating in its lack of specific detail. This relies heavily on good acting and both actors do their jobs well. This is definitely not an overwrought Hong Kong triad love story (as fun as those can be). But the tragedy here as love and jiang hu mix is more due to how the characters react to events and how they continue trying to survive rather than a seemingly inevitable suicide mission or last job set piece.
Continue reading “Ash is Purest White – film review – Nouveau Cinema 2018”
Mong Shell VS Jos Louis
Here we have two very similar looking mini-cakes that are sold in grocery stores. We have Jos Louis currently produced by Vachon in Quebec, Canada. Then we have Mong Shell produced by Lotte in Seoul, South Korea.
Continue reading “Food Fight! Cream filled chocolate mini-cakes”
This year’s Festival du nouveau cinema screens many intriguing films from around the world from October 3-14, 2018 at Cineplex Quartier Latin, Cinema du Parc and Imperial cinema. There is as usual a great selection of East Asian films. I won’t list them all but I will mention some of the ones I look forward to seeing the most.
Films from China have often been lacking at festivals (perhaps in part due to censorship) but this edition features Jia ZhangKe’s latest film, Ash is the Purest White starring his wife and muse Zhao Tao and Liao Fan, an actor’s who’s been in many good films that I’ve enjoyed. Other actors in the film include Feng Xiaogang and Xu Zheng which make up an impressive cast. Long Day’s Journey into the Night directed by Bi Gan stars Huang Jue and the ever compelling and beautiful actress Tang Wei.
From Japan, the festval brings Hirokazu Kore-eda’s latest work Shoplifters, which won the Palme d’Or at Cannes. It has an excellent cast including Lily Franky, Sakura Ando, Mayu Matsuoka, and Kirin Kiki (her last film before she passed away in 2018). I’m biased since I’ve enjoyed many films by this director but I think this is a must-watch. Killing directed Shinya Tsukamoto stars Sosuke Ikematsu and Yu Aoi, both very good actors. Mamoru Hosoda’s latest animated film Mirai looks delightful for kids and adults. I’ve enjoyed past anime films by this director. There are also restored versions of older Japanese films from 60s, 70s & 80s which should intrigue those with a longer history of Japanese film viewing than myself.
The South Korea film I’m eager to see is Burning by Lee Chang Dong, whose previous film I saw was very engaging and thought provoking. This one stars Yoo Ah-in, Steven Yeun, and Jeon Jong-seo.
From France, there’s the animated film Funan directed by Denis Do about the Khmer Rouge in Cambodia. It won the Crystal Prize for Best Feature Film at Annecy International Animated Festival.
There are also other films from South East Asian countries such as Thailand, Philippines, Indonesia and Singapore.
Trailers after the jump.
Continue reading “Festival du Nouveau Cinema – Oct 3-14, 2018”
The Montreal Canadiens recently traded their captain and top goal scorer for the last several years (excluding the most recent one) in a trade that everyone saw coming. Nobody predicted who the Canadiens would get for Max Pacioretty. Out of the package they received from Las Vegas, Nick Suzuki a 19 year old first round pick is the most intriguing. Whether this will be considered a good trade or not largely hinges on whether Suzuki not only becomes a regular NHL player but one as impactful as Pacioretty was for the Habs. He plays center which is a position that Habs have been trying to fill for many, many years.
Continue reading “Nick Suzuki traded to the Canadiens”
Next Music from Tokyo or should that be Next Music from Tokyo & Taiwan? Because for the first time in the tour’s history, it will be inviting a non-Japanese band. This band is from Taiwan but has toured in Japan so it would seem that some Japanese fans are aware of them. The other four bands come from Japan and not just Tokyo but other cities like Osaka. Two bands return from past volumes. There’s Otori making their second showing and Mass of the Fermenting Dregs making their third appearance, the first band to do so on the tour. But if you want to be picky this would be the second appearance of the reformed band, the original lineup was all female who broke up but then a few years ago the original bassist reformed the band with two male members. I had previously seen this band in Vol 8, which was the first NMFT show that I ever attended and I’ve attended every show since then except vol 12. The other two bands are new to the tour and both are all female trios: UlulU and Paranoid Void.
It kicks off with two shows in Toronto on Friday October 5 and Saturday October 6. Then in Montreal on Sunday October 7 and ends in Vancouver on October 10. Tickets can be purchased online now.
More videos after the jump.
Continue reading “Next Music from Tokyo vol 13 tour – Oct 5-10, 2018”
Director & Writer: Aneesh Chaganty
Cast: John Cho, Debra Messing, Michelle La
A father misses a couple of phone calls from his daughter while he’s asleep. When she doesn’t return home, he tries to contact her again but ends up contacting the police to search for her. While searching through her laptop for clues he discovers that he does not know his daughter as well as he thought he did.
The thing that will become noticeable early on is that this movie is not filmed or staged in a conventional manner. Everything is seen via some sort of video media, whether it be a computer screen, a smartphone screen, a TV screen or surveillance camera. It is not the first movie to do so but very few films have chosen to tell their story in this way. It’s an interesting technique that makes it stand out and is particularly effective in the beginning when we see a montage of sorts showing the Kim’s family life before tragedy strikes. However, the restriction to presenting the story only via screens starts to feel forced towards the end when the film resorts to hidden cameras, live TV and live streaming to show the final events.
Continue reading “Searching – film review”